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Hekiganroku / Biyan lu · CASE 3

Sun-Face Buddha, Moon-Face Buddha

The Blue Cliff Record

Edition
Names

Names without a verified counterpart remain in their source form.

Engo's pointer

Engo's pointer: One mechanism, one situation; one word, one phrase. Try only to find an entry, and you gouge a wound in healthy flesh, making nests and caves. When the great function appears, no rules remain. Try only to know that there is a matter beyond: it covers heaven and earth, yet you cannot feel it out. “This way will do; not this way will do”—far too fine-spun. “This way will not do; not this way will not do”—far too solitary and perilous. Without taking either road, what is right? See the case.

Case

Master Ma was unwell.1 The prior asked, “How has Your Reverence's health been lately?” Baso said, “Sun-Face Buddha, Moon-Face Buddha.”3

Setchō's verse

Sun-Face Buddha, Moon-Face Buddha— the Five Emperors and Three Sovereigns—what are they?7 For twenty years I knew bitter hardship; for you, how many times I descended into the blue dragon's cave. The hardship— fit to tell! Clear-eyed patch-robed monks, do not take it lightly.

Engo's commentary on the case

Master Ma was unwell. The prior asked, “How has Your Reverence's health been lately?” Baso said, “Sun-Face Buddha, Moon-Face Buddha.” If an ancestral teacher did not meet people with the essential matter, how could the way shine? If you know where this case comes down, you can walk alone through the cinnabar sky. If you do not, again and again you take the wrong road before the dead-tree cliff. An essential person arriving here must have the hands and feet to drive off the plowman's ox and snatch away the hungry person's food. Only then will you see where Master Ma acts for people.4 Many people now say, “Master Ma was receiving the prior.” Happily, that has nothing to do with it. Many in today's assemblies misunderstand. They glare and say, “Here, the left eye is Sun-Face and the right eye is Moon-Face.” What does that have to do with it? You would not dream of it in the year of the donkey.5 They only go on missing the ancients' affair. When Master Ma speaks this way, where is his intent? Some say, “Bring a bowl of Stomach-Calming Powder.” What handle does that give you?6 When you arrive here, how will you become settled? Thus it is said: The upward road is not transmitted by a thousand sages. Students wear themselves out like a monkey grasping at a reflection. These very words—“Sun-Face Buddha, Moon-Face Buddha”—are extremely difficult to see. When Setchō reaches this point, he too finds them difficult to verse. Yet because he sees through them, he uses up the work of his whole life to point them out for you. Do you want to see Setchō? Attend to what follows. When Emperor Shenzong was on the throne, he himself took this verse as satire against the state and therefore would not allow it into the canon.8 Setchō first picks up “Sun-Face Buddha, Moon-Face Buddha.” As soon as he has picked it up, he says, “The Five Emperors and Three Sovereigns—what are they?” Tell me: what is his intent? It was already said just now. He points straight down and annotates it. Thus it is said: Lower the hook through the four seas; fish only for a fierce dragon. This one line finishes it. Afterward Setchō versifies the effort he spent investigating throughout his life: For twenty years I knew bitter hardship; for you, how many times I descended into the blue dragon's cave. What is this like? It is like someone entering a blue dragon's cave to take a pearl. Later he smashed the lacquer bucket.9 One had supposed there would be so many extraordinary things. Originally it required only this: “The Five Emperors and Three Sovereigns—what are they?” Tell me: where do Setchō's words come down? You must step back and look for yourself. Only then will you see where they come down. Have you not seen how Attendant Pou of Xingyang answered Registrar Yuan's question? Yuan asked, “Sāgara comes out of the sea; heaven and earth shake. When it is presented face-to-face, what then?”10 Pou said, “The garuḍa king commands the cosmos. Who here is the person who raises his head?” Yuan asked, “If you suddenly meet one who raises his head, what then?” Pou said, “Like a falcon seizing a dove. If you do not believe it, test it before a skull; only then will you know it is true.” Yuan said, “Then I fold my arms at my chest and step back three paces.” Pou said, “Little tortoise beneath Mount Sumeru's seat! Do not wait to fail again and come back with your forehead marked.”11 Thus: “The Three Sovereigns and Five Emperors—what are they?” Many people do not see Setchō's intent. They only keep saying that the verse satirizes the state. If you understand it that way, it is only an emotional view. The line comes from Chanyue's “Young Nobleman's Conduct”:12 Fresh and splendid in brocade robes, a falcon on his hand; strolling idly, his manner is full of disregard. Of the hardship of sowing and reaping he knows nothing at all. The Five Emperors and Three Sovereigns—what are they? Setchō says: The hardship—fit to tell! Clear-eyed patch-robed monks, do not take it lightly. How many people make a livelihood inside the blue dragon's cave? Even if you have an eye at the crown of your head and a talisman behind your elbow—even if you are a clear-eyed patch-robed monk who sees through all four continents—when you arrive here, do not take it lightly. You must be careful.13

Footnotes 12
  1. “Master Ma” is Baso 馬祖道一 (709–788). 不安, literally “not at ease,” is a conventional way to report illness. The case gives no diagnosis. ↩
  2. The names are attested in the Buddha-Names Sūtra 佛說佛名經 tradition. In its lifespan catalogue, Moon-Face Buddha lives one day and one night, while Sun-Face Buddha lives 1,800 years. That contrast makes longevity and brevity available to the encounter, but neither Baso nor Engo states that it is a code with a single paraphrasable meaning. ↩
  3. Driving off a plowman's ox and taking food from a hungry person are deliberately severe Zen images: the teacher removes the support on which the student most depends. They characterize uncompromising intervention, not a recommendation for literal deprivation. ↩
  4. The twelve-animal calendrical cycle has no donkey year. 驢年 therefore means a time that never comes—roughly, “when donkeys have their year.” ↩
  5. 平胃散, “Stomach-Calming Powder,” is the name of a traditional medicinal formula. 巴鼻, literally a handle or hold, asks what usable basis the medical explanation supplies. Engo rejects both the eye-symbolism and a merely clinical response. ↩
  6. The Three Sovereigns and Five Emperors are legendary culture-founding rulers of Chinese antiquity. Setchō reverses their conventional order here. The later quotation from Guanxiu gives the line a social edge: an idle nobleman knows neither agricultural labor nor the ancient rulers. Engo nevertheless refuses to reduce the verse to political satire. ↩
  7. This is Engo's reported account of the verse's reception under Song Emperor Shenzong (r. 1067–1085). The present edition has not independently confirmed the exclusion episode; 入藏 is read in its usual Buddhist sense, “enter the canon.” ↩
  8. The dragon cave is the dangerous place where a pearl may be won. “Smashing the lacquer bucket” is a Zen image for breaking through a dark enclosure of ignorance. Engo immediately undercuts any attempt to turn the breakthrough into a store of marvelous content. ↩
  9. Sāgara 娑竭 is a dragon king associated with the sea. The garuḍa or golden-winged bird 金翅鳥 is the dragons' great predator, so Pou answers the emerging dragon with the power that seizes dragons. Taishō witness 甲 reads “the dragon palace shakes” where the base and both inspected Waseda controls read “heaven and earth shake.” ↩
  10. “Forehead marked” alludes to fish attempting the leap at the Dragon Gate: those that cross transform into dragons; those that fail return with injured or marked foreheads. Engo explains this image elsewhere in the Blue Cliff Record. Taishō witness 甲 substantially recasts this clause; the apparatus records its wording. ↩
  11. Chanyue 禪月 is the poet-monk Guanxiu 貫休 (832–912). The four lines are cited as “Young Nobleman's Conduct” 公子行. The translation preserves the poem as Engo quotes it and does not claim that Engo supplies its earliest or textually best recension. ↩
  12. The “eye at the crown” figures penetrating discernment; the “talisman behind the elbow” figures extraordinary hidden efficacy or authority. Engo's final warning applies even to the person marked by both capacities. ↩
About this version and its sources
Full source citation
Editorial title from Mazu's answer: 日面佛月面佛. Base: CBETA T2003, T48n2003_p0142c04–p0143a28. Historical controls visually inspected across the complete Case 3 span: Waseda ハ05 00546, Gozan edition with 1317 postface, vol. 1, PDF pp. 17–19; Waseda ハ05 03488, Kan'ei-period early movable-type edition, vol. 1, PDF pp. 17–19. T2003's punctuation is modern editorial punctuation. Angle brackets below represent TEI inline notes; in the old case and verse these are Yuanwu's interjections.
Method
Direct critical-edition translation from the cited received base text. Source claims, hagiography, uncertainty, and unresolved readings remain identified in the notes and project record.
Editorial uncertainty
Independent philological and reader review remain pending.
Rights
Project translation © Tulsa Zen Center Critical Edition contributors. Source text is cited by edition; redistribution policy requires final organizational approval.
Revision identifier
6d57ea5d674c